Post-Production for Film, Documentary and Branded Content
Stock Stop handles post-production in house, on our own productions and on footage shot by others. Feature and documentary edits, podcast series, promos and stock-footage films, taken from rushes through to final delivery.
Bring Us the Rushes
Not every project needs a crew. Plenty of the work that comes to us is footage already shot and sitting on a drive, waiting for someone to make a film out of it.
We take material from any source, including archive and stock, and work it through story edit, sound, grade and graphics to a finished piece. Everything is done by our own team rather than passed between suppliers, so the film only has one set of hands on it.
Ingest and Review
We take in the material, organise it and go through what you have before agreeing an approach.
Story Edit
The edit is where the film is made. We build the structure first and refine it with you through agreed rounds.
Finishing
Colour grade, sound design and mix, music, graphics and subtitles, all in house.
Delivery
Masters, versions and platform-specific formats, prepared to the specs your broadcaster or channel requires.
What We Take On
Documentary and Long-Form Edits
Feature and broadcast-length edits from rushes, including archive-led films and material shot over long periods.
Podcast and Series Editing
Episode edits, audio mix, graphics packages and social cutdowns for series filmed elsewhere..
Promos and Branded Edits
Adverts, promos and campaign films cut from existing footage, stock or a mix of both.
Visual Effects and Finishing
Compositing, clean-up, set extension, grade and graphics on live-action material.
Popular questions
Can you edit footage we shot ourselves?
Yes. A good share of our post work is material filmed by someone else. Send us the rushes and we will tell you what you have and what it can become.
Do you work from stock and archive footage?
Yes. We produce films built entirely from stock or archive, and we regularly combine existing footage with material shot for the project.
Is everything done in house?
Yes. Edit, sound, colour, graphics and subtitling are all handled by our own team, so the film is not passed between suppliers.
Can you deliver to broadcast specifications?
Yes. Our films have been carried by international broadcasters, and we prepare masters and versions to the specs each one requires.
How many rounds of revisions are included?
That is agreed in the quote, based on the length and complexity of the project, so you know before we start.
